Conceived for young children, there’s a playful quality to the classrooms. There are unimpeded sight lines throughout the building with overscaled porthole-style windows, evocative of a submarine and mindful of the scale of built-in furniture. The building responds to its audience by including built-in origami-shaped furniture in the library that forms part of the centre’s entry sequence. Notably, the internal materials are plain and neutral in colour as the canvas, while the children provide the colour.

The building itself is curved in plan and its sloping ceilings vary the volumes in section. This deliberate move creates cozy spaces and more voluminous, light filled rooms for play.   We utilised Shaw Contract Plane Hexagon Tile to interact with the curved and straight walls. With a random pattern combining blue and grey tones, the children use the octagonal-shaped carpet tiles for floor games. Jumping from ‘island’ to ‘island’ or gathering toys on selected blocks of colour, the floor plane becomes an active part of the children’s games.

The original design was all about opening up the facility and making it more accessible to the community - that was the intent and that’s what the building is now doing. Some of the early childhood teachers have said it is one of the most visually connected, easily surveyed buildings they have worked in. And while buildings and landscape were once seen as two separate and disconnected entities, the children now enjoy exploring both, from climbing on rocks in the landscape to carpet tiles inside, to the many interstitial spaces between.